626-304-9433


At a time when most of the worthy metal was being produced in England with a few exceptions in Europe and America as most bands emerging were straddling the line between Hard Rock and Heavy metal or resorting to recreating the dirty rock of the early 70s in order to achieve mainstream success as there was much more to be gained financially from such endeavors. Iron Maiden had dazzled the world with Killers, Melissa and Kill ‘Em All were just around the corner and metal would proceed through a very sudden transformation with these releases. In between all this former heroes like Judas Priest,Motorhead and Scorpions were embracing the stadiums. In such a frantic period, in a country where music had never been a cultural strength. Sortilège, after studying their cousins from across the pond would release one of the greatest Heavy metal EPs of all time only for the aforementioned bands to overshadow them and relegate them to cult favorite;

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When one hears the name Fleshcrawl, the first thing that comes to mind is the legendary Autopsy song from Mental Funeral, yet a very peculiar German band carries that name. Descend Into the Absurd marks their highest peak musically and rightfully so. Taking more from the fully formed European style of the time that was influenced by Autopsy than Autopsy themselves. Combining Doom dirges that exude morbidity and flowing pensive phrasal riffs, Fleshcrawl create a forgotten classic and an important addition to Death metal.
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361-937-3224

Primordial Offerings follows up on the first Kever which focused more on an intelligent form of percussive death metal; the second EP from this promising band attempts to invent a new style of atmospheric death metal without losing any of the intensity, sounding like a mix of Florida, Buffalo, and selectively melodic European acts like Fleshcrawl and Demigod.

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The Chuck Schuldiner Syndrome


Chuck Schuldiner who once played crushing music that popularized Death metal before attempting to follow the mid 90s phase where every Underground band had to somehow rise to face the more rock influenced bands at their own game through whinier passages and trivial lyric matter. During that period his technical abilities increased but his inability to arrange worthwhile music become obvious rather as he relied exclusively on rock structures that culminated in a solo before repeating the whole process without any thoughts on progression, narration or momentum. This created the effect where some truly incredible melodies were juxtaposed next to some very mediocre sections derived from rock and other genres. This device was then taken by a large number of bands who have then used it to promote a singular idea over everything else and has contributed largely to the decline of metal in general. Let us look at a few moments where the Chuck Schuldiner syndrome was very apparent.

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Clandestine Blaze – Tranquility of Death (2018)

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We all miss the glory days of black metal, especially those who were not there to experience them the first time. That urge has spawned many bands who tried to uphold the original style and spirit despite the inevitable tendency of foolish humans to “mix it up” with other genres and random bits that are inarticulate to the purpose of the genre.

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Andrzej Sapkowski’s “The Witcher” series has seen itself appropriated and simplified in the form of a ridiculous TV show and movie that never garnered much respect in its native Poland and has been heavily critiqued by Sapkowski himself. The books find themselves once again simplified and denied of their essence in the form of three large budget video games that do attempt to bring to life the world of the series, but gameplay, endless superfluous content and the lack of understanding from the writers hinder this. Fortunately we are blessed by a truly transcendent series of books that despite the mainstream’s attempts at commercializing them remain unaffected in their message and expression. Enter “The Last Wish” which is the first book of a majestic saga that soars above the common man’s need for digestible media.

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Necromaniac hail from London UK which has become a wasteland full of terrible rock/metal hybrids catering towards young childern, and what was once the center for NWOBHM is now the home of mentally deficient hipster/indie music that seeks nothing more than to go viral before being replaced by the next thing. Necromaniac have avoided the toxicity of such a scene in the pursuit of something much more noble. The lost art of making the best music possible. The production is strong, retains the grit and the individuality of the performances while making every instrument listenable without castrating a single thing. Due to this EP only containing two tracks, each track will be analysed separately.

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Metalheads hate civilization, or rather what civilization inevitably becomes: people forget why things are as they are and recede into a human only bureaucratic world, like a cult built on peer pressure, where they affirm reality-denial in favor of things that make humans feel good about being afraid of challenging themselves.

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